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small talk

Jan. 2nd, 2010 | 03:16 am
mood: cold
music: lost - coldplay

Talking to you now, I can remember why we stopped. Those conversations were my subsistence and there was nothing there you needed. I would begin the game, a greeting and an inquiry and you played along. We then delved into updates, parallels, similarities, bridging the gaps with worthless opinion. Thereafter we discussed tastes: songs, artistes, bands and shows. When we finally ran out of things to say the game ended; the pauses extend towards breaking point, after which we say long goodbyes, a promise of a rematch, of round two.

Those games were everything to me, puzzle pieces forming a picture of who you are. But the jigsaw pieces were all white and identical. I came to suspect that it wasn't really a puzzle at all, that the pieces were shaped that way as a decoy. But after awhile it didn't really matter. I decided to collect them, numbering each one as they piled up behind me. The pile grew and when I ran out of space I threw the old ones out. I don't know why I did it. Perhaps I needed proof of your existence.

One day the pieces stopped coming. We grew bored of the game. As time passed, it grew harder as we gradually lost our congruities in distance and situation; I who needed you and you, immune to need. I stopped collecting. They were all the same piece. Talking to you now, I hold a piece, warm in my hand, and throw it out with an alt+f4.


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in dreams

Dec. 24th, 2009 | 02:37 am
mood: thoughtful
music: kaleidoscope - kate havnevik

More often than not there is a desired reality and I am aware it is unreal. For one I am not me; I have different charisma and connections, skills and relationships. All that these selves share is a common consciousness, peering out at the world in first person, the very quality that gives the implication of "I". Also, these realities are fragmented. Each one is an independent event, for in the imagination the derision of the desired object is materialized not by circumstance but is then the core by which everything else is structured. As such, these realities can never be assimilated due to their incongruities and will forever be apart. In this gap between desire and reality do dreams have their place.

I am in an institution I do not recognise. My first day I assume. I look around and my classmates are unfamiliar. They are comfortable, chatting happily as they prepare for class. I sit ignored at the table. The professor enters, gruff and disheveled. Class begins. He asks a question and I give the correct answer. He smiles in response. We are assigned a project and the girl sitting across from me is my partner. She is moderately attractive and very friendly. We work late into the day and the school is closing. We are the only two left in class and she operates an elaborate security mechanism before we leave. All I remember are switches and red lights. She gives me a short tour of the school and I see several students at sports, laughing raucously. At the gate a fellow classmate asks us along for a drink. I decline and she goes off with him. They bid me goodnight.

In these spaces the gap between the conscious and subconscious grows thin. I imagine a semi-permeable membrane, facilitating the diffusion of thought, of the things that truly matter. Therein lies the irony, that through the mediation of the subconscious, lies are impossible, although the dream itself is a lie.

I am in a huge mall with an intricate network of escalators. It is largely vacant and the walls are panels of large transparent glass. I am waiting for someone, constantly fiddling with my watch. She arrives and she is someone i've met before. We hug and exchange formalities like old friends and proceed down one of the escalators as we decide where to dine. I suggest Thai food and she agrees. At the restaurant, we are seated by a waiter with an unremarkable face and handed a thick notepad. I ask my friend how was her play while she stares blankly at the stack of paper given to us by the waiter. She hands it to me and after careful perusal I realise it is the menu. It is a bundle of plain white paper scrawled with illegible pencil marks. I select my dish from memory and help her place her order. The waiter smiles as he takes the pad away.

Most of the time I cannot remember the full detail of the dream, only by the sensation and the aftertaste can I give it any assessment. However, I sometimes cling to it, clawing feverishly as it slips from my grasp, a ship sailing away, deep into the mist. It always escapes and I write it down, hoping to capture the identical emotion, although even that eludes me.

I have discovered a little eatery serving exotic insects. I sit at the table in an isolated room and scan through the menu, an eager child glad and bright at the prospect of something original and new. A colourful world opens up to me, of iridescent wings and brilliant segmented bodies and legs. I read the descriptions carefully, memorizing details and grazing the glossy photographs with my fingertips. When I have finally decided on my order, the waitress enters and she is someone I know, although she shows no sign of recognition. I quickly place my order and she leaves the room. I suddenly feel sleepy and I doze off. When I wake the sky is dark and the restaurant is silent. There is no food on the table so it must have been cleared and hence I must have been asleep for a long time. I get up hastily and leave the room. The place is deserted. Descending the stairs, I find the waitress asleep at a table. She must have stayed back to wait for me. I gently tap her shoulder to thank her and apologise when she looks up at me, eyes red with tears. All I remember is apologising profusely.

Sometimes I flee from the dream, unpleasant ones, dreams that horrify, that flush my cheeks with blood, that throw me into depths of despair. However, the reality occasionally dims and I realise it is but a dream. Knowing so, I take ownership and manipulate its outcome. This awareness though, always shortly precedes the actual waking and I open my eyes to the day-lit ceiling, feeling powerless once more. 

I am on a bus where all the seats face inwards, seated right at the front, facing the back of the bus. An old friend sits to my right and to my left, a girl I know. We are children, laughing and playing games with our hands. I watch her, innocence and emotion laid bare on her face, as pretty as I remember. She makes a figure of a man with her hand with two fingers as legs. The man takes a few steps and falls. She tells me his legs are broken. I say I will fix them with glue. She smiles, relieved. Suddenly, a ruffian walks up to us from the back of the bus. I recognise him and his group of friends as nasty people. He starts ranting about having to watch us play our stupid games because the seats of the bus face inwards before taking a swing at my face. Cracks appear in my vision and I realise I am wearing goggles. Through all this she sits motionless, biting her lip, delicate brows furrowed in an angry glare. The bus stops and the friend to my right alights after firing off some smart ass remark. She and I too get off the bus but I fumble with my wallet and alight without paying my fare. The bus drives off and I trudge slowly beside her, head hung in shame. Still looking ahead, she gently takes my hand in hers, spreading warm lines across my heart.

In dreams come the escape, the brief respite, the sense of motion even as the body feels not the passage of time. In this singularity an infinite possible realities are generated, extending and branching and proliferating before converging again at the point of waking. In this space the emptiness is filled, experience and memory merged in endless permutations, a firework in black sky, sparks destined to fade into nothingness. In this inconsequential reality, we yearn to find meaning but there is none and therein lies the beauty. Sleep is an adventure and sometimes I never want to wake up.

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permafrost

Dec. 17th, 2009 | 11:07 am
mood: contemplative
music: first train home - imogen heap

She peers around in the endless white, an animal, apprehensive, wide-eyed and bewildered. She is draped in colours fully-fledged, patchy and warm; she lets them fall around her, taut with the wind. Slowly she turns, her lips parted in a single high note, clear and bright in the wintry silence, a clarion call rising into crystalline stillness.

And I stand in the gap of that silver moment, amidst my empty thoughts and shattered walls, in the heights that reach like tendrils towards the hazy sun, in the depths that span the canyon floors and traverse over surfaces I never thought possible. I have carried them with me, under layers drab in comparison, behind ramparts and barricades of coldest stone, letting the snowflakes fall, piling high, pristine monuments on the road to her.

And her song is timeless, that single burst of sound stretching for eternity, to the time she cried, alone in the rain, to when she fell from her bike and skinned her knees, to her first kiss, reverberating forever in her plane of existence. I see her in that spark, that vivid condensation of all her selves that have been and ever will be, the confluence of points laid out like stars.

I see her then, twinkling shyly as our lines of sight converge, connect and intertwine. I see her after, eyes lined with sleep, a weight on my shoulder. And I see her now, eyes aglow, mouth slightly agape, as if she had seen something beautiful emerge before her in the inflorescence of warm breath.

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nocturne

Oct. 12th, 2009 | 11:17 pm
mood: creative
music: bells - laura jansen

Save me the dark that comes with the evening
Which lengthens the shadows as the day ends
And reaches for me, its sweet voice pining,
Calling out softly as nightfall descends.
But eyes do not shut, mind does not wander.
In glorious stillness, a quest for peace
To walk wide awake through Earth's wakeless slumber
Begins with a spark and gentle release.

So join if you will this midnight sojourn,
Cradling starlight, embracing the moon;
These heavenly muses, creation to spurn
The rest of our lives that wither too soon.
So the music plays on, ever stronger,
Till dawn breaks and I'm myself no longer.

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room

Oct. 10th, 2009 | 01:01 am
mood: depressed
music: sweet disposition - the temper trap

Unconsciously I've returned to the place i've left behind. Whowhatwherewhenhow? It was perhaps a careless moment, some false bravado, to see how far I could reach before I felt something. Yes I felt it, slipping through the cracks, the long un-used and vacated tunnels, the enticing semblance of warmth. I touch it and it all comes rushing, screaming to be embraced. It's a wonder that what had taken so long to bury could be undone at first contact.

So I'm back to the empty room. It has grown bigger, more expansive. I cannot fill the space, this void, as I never could have. Glad to know some things never change. But now I see the extent of the damage you've caused. I see the mess, the disrepair, the ravages of time (No, time has not healed or preserved. It has ravaged). I left for a reason, a decision was made, and I followed in your footsteps through the open door. This place will never disappear, an indestructible etch in memory, a reminder of the spark and the burn, the slow decay.

This place will remain, but how much further can I run?

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skies of blue and black

Aug. 2nd, 2009 | 11:42 pm
mood: optimistic
music: life effect - stars

It seems so long ago, the hazy visions, the sleepless nights, as if you were part of another lifetime. We are not going to meet up, hang out, exchange stories on how life has treated us thus far. Despite the careless promises (stay in touch!), we are never going to speak to each other face to face again. You and i know it, that we are figments of the past, part of the waves that flow but never ebb, nor surge to hug the shore once more. We are but memory; dreams and dust.

But i sleep better now, and what used to seem so trying seems so scarce at present. I am doing things and having fun and letting wonderful people into my life and sometimes i feel so happy and lucky to be alive! We are no longer standing on the same jetty, no longer feeling the same wind in our hair, the same roar of the sea, the same sunset over the horizon; but i hope that your view is as beautiful as mine.

And so we disconnect,
The room grows quiet around us.
It's called the life effect;
Will it always surround us?

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departure

Jul. 17th, 2009 | 11:43 am
mood: morose
music: this is for keeps - the spill canvas

So now you're back and i'm proud to say the wound is still raw, nursed and rubbed with salt, preserved for your return. But what is the point then, if all you're looking for is the scar? I can't make it bleed any less. I can't make it dry faster. I love how you're so careless, so complete in your knowing pretense. Oh that you could mistake a heart for a handshake. It's easier I suppose, and I let it happen.

We are both surfaces opaque to each other, so blurry it's beautiful. The illusion cannot be shattered and the facade cannot be broken and the harder we push the further we grow apart. So we have come to a compromise, that you would take the top half and I, the bottom. After all, only one of us can be happy.

Don't you know you left a gaping you-shaped hole that no one can fill no matter how many angles I cut?

So you unpack your bags and reminisce of the place you left behind. You recollect and browse through the photographs of the recent past, glad and slightly relieved that I was never in any of them.

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rise

Jun. 22nd, 2009 | 11:32 pm
mood: contemplative
music: vox - sarah mclachlan

It is a common habit for people to rate or characterize their years, myself included, to access the direction or possibility of progress, for better or for worse. I view it in a linear aspect, charting in retrospect the heights and depths of personal experience. A year is the time segment of choice, simply because of it's recurrence of events, though each event, independently, holds it's own disparate meaning. We then look back on the 31st of December and determine the year's significance; or perhaps it's just my way of instilling meaning.

I am on a rise, a gentle incline, but upwards nonetheless. After all, up is the only way to go from here. Healing is slow for me and perhaps the longest stage is acceptance. It has taken a year and even then i doubt it's fully gone. Pain, it seems, is a tricky bastard - plays dead after you land a few punches, then gets up and stabs you in the back. I still feel the emptiness, still lose sleep, still can't listen through the songs that remind me of you. But i am living and learning, to never again fall for the same emotion, for the same pain.

Life is looking up. The incubation period is over it seems and the sutures no longer have their place. Human interaction seems less distasteful and i feel i have more to lose. There is somehow the sense of loss, an amputation of the ability to feel the same way as before, but perhaps that's what it means to grow. I think, i can now accurately say i am moving on.
 

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vertices

Apr. 4th, 2009 | 08:21 pm
mood: troubled
music: darcy - the acorn

It feels so left-behind, so restless, so impotent. The road stretches far ahead, a path i am unable to take. It's the walls, each one higher than the next, towering and cold and slippery against my fingers. I don't want to run.

It's a long drop, but slow, like semi-anti-gravity, a chasm and an effortless descent. I can see the bottom, clear and clandestine, somewhere to belong. I can see the bottom and it's not pretty.

Somehow it's been a decline, a painless decay that creeps around corners and takes a bite out of life when no one's watching. I look back and see the heights, the splendor, the magnitude of emotion. I look back and see how great the fall.

It's time to start climbing.

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1:33 am

Mar. 22nd, 2009 | 12:15 am
mood: blank
music: warm whispers - missy higgins

It's time, only time. Yet i can feel the waste, the dread, the futility that comes with the sundown. I've not much time.

I suppose it's my fault, this self-isolation, the refusal to believe there is anything worth gracing. I've shut the windows and drawn the blinds, counting the scars with the tiny blades of light that filter through, feeling my breath hot against my palms. I believe it was more of an elevation, a self-imposed incongruity in my mind, away and apart, away and apart from the ghosts that used to haunt by my shoulder. It was callous. It was apathy. It was comforting. I had set up a "no vacancy" sign and stood beside it in the rain, trying to glean the fate of each raindrop as the world ran fast around me.

It's the loss that gets to me, hours, minutes,days, months, words, actions, thoughts, life blood drying and decomposing, soon a brown stain on the kitchen floor. It's the place i cannot get to, the glass ceiling, the lack of wings. I'm on the inside looking out, reaching for the beauty that's reaching for me, blurred by condensation and teary eyes. It's only a matter of time before i stop trying.

It's not a bad thing. I am already halfway through forgetting - her face, the quality of her voice, the time spent and burned, the words we said. I know somehow memories will never fully disappear but i can live with fragments. I still miss the way we talked, the slight spikes of joy, the innocence that could never again be retrieved. I will never speak of anyone the same way again and therein lies the loss.

I wish i could take a really long bus ride, alone at a window seat, watching the sidewalks pass me by as i sojourn for 15 days, 56 minutes and 44 seconds through all the 5421 songs on my iPod.

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big bang theory

Jan. 25th, 2009 | 11:34 pm
mood: apathetic
music: sound of settling - death cab for cutie

I was told that when i was much younger, i was a perfectionist. Everything had to be in order, in a default configuration that held familiarity, the steady glow on the candlewick that was my world. Meals were eaten in order of preference - vegetables first, then carbs and finally meat. My pillow was placed exactly in the middle of my bed or i would have trouble sleeping and the stuffed toys by the bed had to be in the exact sequence as the day before. Life was simple, like a machine with its intricate and interlocking gears in perfect harmony, and as i grew, i added on to it one piece at a time.

It was easy at first and i relished the routine, adding paint to the canvas, stepping back once in awhile to marvel at the detail. School, homework, friends, church, God. It was all rather mindless. I stepped into the path laid out for me without thought or question. But like a game of tetris, as the blocks fall faster the gaps start to appear in the framework you once thought ideal. Exams, choices, individuality, responsibilities, love. The machine was coming apart and i soon realized that not everything could be perfect. That was when i stopped trying. Not everything was worth the effort. Not everything could be undone.

There comes the time when you realize your perfect world is a result of someone else's imperfection, that there were always paths that could have been taken that lead to a brighter present and the 'what ifs' eat you up inside. So now i'm here, past midnight on a delayed reminiscence of times that could have been more well treasured. I guess there's no point in wishing to traverse time or wondering of every love that could have been, but right now i just can't find any better use of my time.

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respite

Nov. 10th, 2008 | 10:22 am
mood: calm
music: eastern glow - album leaf

It's all a spiral, a constant motion, a dance an a swift end. It's taken too many seasons, too many shards, for the lights in the hall to dim. I wouldn't mind the stares, if we could only find what we're looking for, through the first steps out the bedroom door, though the careless shifting of the sunlight on the floor, through the rise and fall of each breath she takes, no matter how irrelevant. There will be time, there will be moments, between this sundown and the next, time enough to make one mine. There will be hope, there will be redemption, more than anyone cares to see, more than anyone could fathom in a single embrace.

One by one, we take our place, forcing on ourselves what needs to be forced, pushing on the fragments of concrete sky. I will come to accept this foreign safety, this clandestine monotony, then I will no longer be a stranger. I will be material. Sundays will finally fade when monday comes around. So i will wait in my safe place, just counting the stars one thousand at a time, scanning the horizon for the new sun to rise.

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dusk and summer

Oct. 5th, 2008 | 12:11 am
mood: frustrated
music: dusk and summer - dashboard confessional

But you've already lost, when you only had barely enough of her to hang on.
 

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my saviour

Oct. 3rd, 2008 | 11:37 pm
mood: mellow
music: maps - yeah yeah yeahs

It's the soft light through the holes in the wall, through the dust particles that pirouette and swirl, through the myriad of sounds drowned out in the eastern glow. There is bone, muscle, sinew, blood, warmth, something i can rest my head upon, something solid and tangible, an arm, a shoulder, whatever. I'm taking my time, fighting these battles, clinging on with what i have left to the hand that breaks the fall. I want my mornings back, waking to drowsy blue skies and the sound of your footsteps. It's a lie now of course, a brittle veneer. You know they don't love you like i love you.

I'm holding up these old photographs, wrapped in envelopes and hearts. They're translucent now, although they still clot my eyes, taking with them thought and memory. In a way i'm thankful. It's a cleansing flame and i can't say nothing was burned as i sat back and watched it take it's toll. There is peace now because there is nothing here. The words don't come easily anymore, dripping from an empty vessel, squeezed dry and hollowed out. What's lost is lost. Everyday is a new map with roads i cannot take, directions i cannot follow, state lines i cannot cross. So i will make my home here,building high my walls and defences, and when it's finally time to leave, i hope you will be waiting for me.

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sweet troubled soul

Aug. 15th, 2008 | 06:48 pm
mood: apathetic
music: sweet troubled soul - stellastarr*

It's odd now, this new feeling, or the lack thereof. There's no pain where pain should be, no heart attack, no searing wafts of white light, no sleepless nights and clouded skies. There's just a reckless abandon, a blinding rush to whatever i'm hurtling towards. I feel the danger in being alive, the potential for gravity. It could be retaliation, or rebound, or re-anything that connotes a cause and effect. It's hard to live with the high opportunity cost of caring and perhaps all i need is to stop giving a damn. I can't help this extremity, but tragedies come and go. I can't climb these narrow stairs but what's the point of climbing? This could end in flames but hell, whatever.

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fkit

Aug. 10th, 2008 | 05:23 pm
mood: disdainful
music: i'm still here - vertical horizon

It just takes a few breaks
And a while to see
All my world needs is me.

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and the world spins madly on

Aug. 4th, 2008 | 12:54 am
mood: calm
music: world spins madly on - the weepies

 
Woke up and wished I was dead
With an aching in my head
I lay motionless in bed
I thought of you and where you'd gone
And let the world spin madly on

Everything that I said I'd do
Like make the world brand new
And take the time for you
I just got lost and slept right through the dawn
And the world spins madly on

I let the days go by
I always say goodbye
I watch the stars from my windowsill
The whole world is moving and I'm standing still

Woke up and wished that I was dead
With an aching in my head
I lay motionless in bed
The night is here and the day is gone
And the world spins madly on

I thought of you and where you'd gone
And let the world spin madly on

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clarity

Jul. 25th, 2008 | 12:19 am
mood: disappointed
music: lucky denver mint - jimmy eat world

I've been thinking that songs are more essential than people. In fact most things are, things that don't disappear that easily. No it's not that. I think songs just make me feel better. 

It's not that they don't end. Nothing is permanent. Nothing is sound. 

Every great song ends. Is that any reason not to enjoy the music?

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drama

Jul. 21st, 2008 | 01:48 am
mood: indifferent
music: suffocate - feeder

Bittersweet, everytime.

Every single time.

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let my words be few

Jul. 20th, 2008 | 11:29 am
mood: artistic
music: song of achilles - plainsunset

I pick up a pen and it fails me;
A sword would be of more use.
What good are these engineered phrases
And constructed sentences,
If they build not cities and walls
Nor tear down empires.
What good are these honeyed tongues
And sharpened words,
If they can't sweeten the languished soul,
Nor pierce the hearts of legions.
What good are these swirls and lines
Of black on white,
Letters on a page,
If they calm not the storm inside.

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